Album review: Monolord - Empress Rising (category: Doom Metal, Sludge, Stoner)
Release date: April 1st, 2014
Easyriderrecords.com
Twitter: @MonolordSweden
Release date: April 1st, 2014
Easyriderrecords.com
Twitter: @MonolordSweden
** 01.04.2014 Errata: I have since noticed that the album tracks have been reversed on reviewing this album for some odd reason on my PC's media player program. Since putting the album on my mp3 player, the order was in the correct orientation. Apologies for any confusion with regards to track order. **
On the odd occasion, a band comes from
nowhere – and I mean literally from out of nowhere and just kicks
the living shit out of you sonically. On my Twitter feed, I had heard
a lot of excited babbling about other doom releases – notably
Conan's 'Blood Eagle' (a superb doom release that is highly
recommended) and Slomatic's 'Estron'. (again, another very decent
doom release).
One night, the editor dudes of Echoes and Dust sent me a direct message one evening telling me about a Swedish six legged doom machine called Monolord – and sent me the album to check out. It had already been reviewed on their own website so it seemed churlish to just have the album sitting there and to not tell the world about about it.
One night, the editor dudes of Echoes and Dust sent me a direct message one evening telling me about a Swedish six legged doom machine called Monolord – and sent me the album to check out. It had already been reviewed on their own website so it seemed churlish to just have the album sitting there and to not tell the world about about it.
I have to say - God's fucking tits – WHAT AN ALBUM!
Monolord initially started off as a
side project born from a band called Marulk – an interesting band
in its own right that concentrates on 1970's 'Proto Metal' that
reminds me of bands such as Budgie, Mountain, The Stooges, and Black
Sabbath. However, some of the guys apparently had some pent up energy
that they wanted to channel into something that if turned up high
enough could destroy derelict 1970s council flats that you'd see in
Liverpool, Birmingham or London. With this band, they have certainly
achieved that by the metric fucktonne.
The opener 'Watchers of the Waste'
bursts forth from the speakers with a slow cyclical riff that if
turned up loud enough causes the windows to warp and small
animals and furniture to judder around the living room, thus: “DOWWW
WOWWWW! DOW WOOWWW! DOW WOWWW! DOW WOWWWW DOW WOWWW DOWW WOWWWWW!”.
Imagine, if you will, the slowest parts of Black Sabbath with a pinch
of Electric Wizard and shoved hastily through a special patented doom
metal filter of their own insane creation and you'll have a good idea
of how it sounds. Further elements in the song creep through, while
Thomas Jäger's vocals float over the top of it with a lysergic
warble that fits very well with the rest of the sonic bludgeon.
Usually, doom bands can usually make a hash of the vocals and make
them with too much of a growl of distorted incoherent scream that
doesn't sit well – but the vocals are spot on in this case and
coherent.
'Icon' continues into a path of deep
low fuzz, that makes the spleen vibrate. Despite the low end fuzz,
the bass is beautifully coherent and easy to follow 5 minutes into
the track before bursting forth from the speakers once more at full
attack. The composition of the track is brilliant; a lull of bass
with vocals towards almost halfway through before a big 'jam off'
commences and finally ends the track. 'Harbinger of Death' starts
with a wonderfully distorted but clear bass groove before the guitar
and drums come in with a thunderous chug capable of destroying
buildings.
Finally, 'Adulhumba' is a nice chuggy
instrumental that has a hypnotic riff underpinning the whole tune
with 'Empress Rising' being a superb album closer lasting for 12
minutes – reminding me of the best bits of Sleep's 'Dopesmoker',
'Jerusalem' and Electric Wizard's 'Dopethrone' put into a sonic
blender that while clearly influenced by such albums adds an identity
of their own that can stand head and shoulders above pretty much most
doom metal realeases.
To conclude, this album is nothing
short of brilliant. Over the years, I've heard many things come and
go and seen people get excited over things that were quite frankly
bland or boring. I have to say it's deeply refreshing to encounter an
album that just has your jaw dropping to the floor in amazement –
and Monolord have definitely succeeded in doing this in spades. An
essential release, and I will actually go so far to say that it's a
doom metal classic. Buy it, or be a tone deaf root vegetable.
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